Institutional and exhibition contexts

D’Souza, Aruna. Imperfect Solidarities. Floating Opera Press, 2024. 116 pp. ISBN 978-3-982389-486.

Paton, Justin. Dreamhome: Stories of Art and Shelter. Sydney: Art Gallery of New South Wales, 2023. 240 pp. ISBN 9781741741612.

Singh, Devika. International Departures: Art in India after Independence. London: Reaktion Books, 2023. 312 pp. ISBN 9781789147988.

Alchemy: Transformations in Gold, exh. cat., 73-76. Des Moines: Des Moines Art Center, 2017.

The Artist Project: What Artists See When They Look at Art. London: Phaidon, 2017.

El arte y el espacio, exh. cat. Bilbao: Guggenheim Museum, 2017.

Ramaswamy, Sumathi. “Art on the Line: Cartography and Creativity in a Divided World.” In Decolonizing the Map: Cartography from Colony to Nation, 284-338. Chicago: University of Chicago Press, 2017.

The Restless Earth/ La Terra Inquieta, exh. cat. Milan: Electa, 2017.

Khullar, Sonal. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930– 1990, 2–3, 5. Oakland: University of California Press, 2015.

Karode, Roobina, Geeta Kapur, Deepak Ananth, and Andrea Giunta. Nasreen Mohamedi: Waiting Is a Part of Intense Living, 21, 193, 204, 275. Madrid: Museo Nacional Centro de Arte Reina Sofía, 2015.

Pedrosa, Adriano, ed. Artevida, vol. 1, 48–51. Rio de Janeiro: Editora Cobogó, 2015.

Experiments with Truth: Gandhi and Images of Nonviolence, 43, 277. Houston: Menil Foundation; New Haven: Yale University Press, 2014.

Ritterskamp, Julia, and Gérard A. Goodrow. Passages: Indian Art Today, 177, 180–81, 184–87. Cologne, Germany: DAAB Media, 2014.

Stout, Katharine. “Abstraction.” In Contemporary Drawing from the 1960s to Now, 33. London: Tate Enterprises, 2014.

Between the Lines: A Coloring Book of Drawings by Contemporary Artists. Vol. 4, 104–5. New York: RxArt, 2013.

Milford-Lutzker, Mary-Ann. “The Poetry of Zarina’s Art.” In Indian Painting—Essays in Honour of B. N. Goswamy, 411–21. Nashik, India: Mapin Publishing, 2013.

Mufti, Aamir R. “Zarina Hashmi and the Arts of Dispossession.” In Lines of Control: Partition as a Productive Space, 87–99, 170–71. Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University; London: Green Cardamom, 2012.

Pohl, Frances K. Framing America: A Social History of American Art. 3rd ed., 561. London: Thames and Hudson, 2012.

Brown, Rebecca, and Deborah Hutton, eds. A Companion to Asian Art and Architecture. London: Wiley- Blackwell Publishing, 2011.

Drawn from Life. London: Green Cardamom, 2011.

Everyone Agrees: It’s about to Explode, India Pavilion, 54th International Art Exhibition, la Biennale di Venezia. New Delhi: Lalit Kala Akademi, 2011.

Hoffman, Jens. “Zarina Hashmi.” In The Companion: 12th Istanbul Biennial 2011. Istanbul: IKSV Biennial, 2011.

ILLUMInations, 54th International Art Exhibition, la Biennale di Venezia. Venice: Fondazione La Biennale di Venezia, 2011.

Mathur, Saloni, ed. The Migrant’s Time: Rethinking Art History and Diaspora. Williamstown, MA: Clark Art Institute, 2011.

Ananth, Deepak. “Zigzag.” In Orientations: Trajectories in Indian Art, 10-11. Oudenburg, Belgium: Foundation De Elf Lijnen, 2010.

Hand, Voice and Vision: Artists’ Books from Women’s Studio Workshop. New York: Women’s Studio Workshop, 2010.

Luhring Augustine 1985–2010. New York: Luhring Augustine, 2010.

The Third Mind: American Artists Contemplate Asia: 1860–1989. New York: Guggenheim Museum Publications, 2009.

The 7th Gwangju Biennale. Gwangju, South Korea: Gwangju Biennale Foundation, 2008.

Expansion: Resonance. Paris: Galerie Jaeger Bucher, 2008.

Gouge: The Modern Woodcut 1870 to Now, exh. brochure. Los Angeles: Hammer Museum, 2008.

India moderna. Valencia: Instituto Valenciano de Arte Moderno, 2008.

Machida, Margo. Unsettled Visions: Contemporary Asian American Artists and the Social Imaginary. Durham, NC: Duke University Press, 2009.

Merali, Shaheen, ed. Everywhere Is War (And Rumours of War). Mumbai: Bodhi Art, 2008.

Mark, Lisa Gabrielle, ed. WACK! Art and the Feminist Revolution. Cambridge, MA: MIT Press, 2007.

Mufti, Aamir R. Enlightenment in the Colony: The Jewish Question and the Crisis of Postcolonial Culture. Princeton, NJ: Princeton University Press, 2007.

Sykes, Stephanie, ed. The First Annual DIFC Gulf Art Fair. Dubai: Madinat Arena, Madinat Jumeirah, The Arabian Resort, 2007.

Appadurai, Arjun. Fear of Small Numbers: An Essay on the Geography of Anger. Durham, NC: Duke University Press, 2006.

Back to the Future. New Delhi: Gallery Espace, 2006.

Shah, Kavita.Footprints: Women in Printmaking. Baroda, India: Chhaap Baroda Printmaking Workshop, 2006.

Crossovers and Rewrites: Borders over Asia. Porto Alegre, Brazil: Museum of Contemporary Art, 2005.

Figures of Thinking: Convergences in Contemporary Cultures, exh. cat. New York: Pamela

Auchincloss/Arts Management; Richmond, VA: University of Richmond Museums, 2005.

Sen, Geeti, and Molly Kaushal, eds. Journeys: Heroes, Pilgrims, Explorers. New Delhi: India Penguin Viking, 2004.

Subtlety—Minimally. Mumbai, India: Sakshi Gallery, 2004.

Kim, Elaine H., Margo Machida, and Sharon Mizota, eds. Fresh Talk / Daring Gazes: Conversations on Asian American Art. Berkeley and Los Angeles: University of California Press, 2003.

Fifth Bharat Bhavan International Biennial of Prints, 2001. Bhopal: Roopankar Museum of Fine Arts, 2001.

Shohat, Ella, and Coco Fusco, eds. Talking Visions: Multicultural Feminism in the Age of Globalization.

Cambridge, MA: MIT Press, 2001.

Farris, Phoebe, ed. Women Artists of Color: A Bio-Critical Source Book to 20th Century Artists in the Americas, 455–60. Westport, CT: Greenwood Press, 1999.

Icons of the Millennium. Mumbai: Lakeeren—The Contemporary Art Gallery, 1999.

Asian American Artists: Cross-Cultural Voices, exh. brochure. Stony Brook: State University of New York at Stony Brook, 1998.

Gift for India. New Delhi: Safdar Hashmi Memorial Trust, 1997.

Out of India: Contemporary Art of the South Asian Diaspora. New York: Queens Museum of Art, 1997.

Mini Print ’96. New Delhi: Gallery Espace, 1996.

Third Bharat Bhavan: International Biennial of Prints—1995. Bhopal: Roopankar, Roopankar Museum of Fine Arts, 1995.

Asia/America: Identities in Contemporary Asian American Art. New York: The New Press and The Asia Society Galleries, 1994.

Intergrafia ’94. Kraków: Stowarzyszenie Międzynarodowe Triennale Grafiki, 1994.

Fariello, Anna, ed. Coast to Coast: A Women of Color National Artists’ Book Project. Radford, VA: Flossie Martine Gallery, Radford University, 1990.

1st Bharat Bhavan International Biennial of Prints, 1989. Bhopal: Roopankar Museum of Fine Arts, 1989.

Art for CRY. Bombay: CRY—Child Relief and You, 1988.

Forty Years, Robert Blackburn and the Printmaking Workshop, exh. brochure. Miami: Miami, Metro-Dade Cultural Center, 1988.

Première triennale mondiale d’estampes petit format. Chamalières, France: Association Musée d'art contemporain de Chamalières, 1988.

Fathers. New York: Asian Arts Institute, 1986.

Indian Women Artists. New Delhi: National Gallery of Modern Art Publications, 1986.

Cornell University Department of Art Faculty Exhibition. Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University, 1985.

Graphic Art in India since 1850. New Delhi: Lalit Kala Akademi Publications, 1985.

Parris, Nina. Through a Master Printer: Robert Blackburn and the Printmaking Workshop. Columbia, SC: Columbia Museum of Art, 1985.

Women Artists Series at Douglass College, 1984–1985. New Brunswick: Rutgers, The State University of New Jersey, 1985.

1984, Big Brother Is Watching: 5 Women’s Art Organizations Make Artcrime. Rosendale, NY: Women’s Studio Workshop, 1984.

Paper Transformed: A National Exhibition of Paper Art. Terre Haute: Truman Gallery, Indiana State University, 1984.

Paperworks: A National Invitational. Spokane: Cheney Cowles Memorial Museum/Eastern Washington State Historical Society, 1984.

Robins, Corinne. Women Artists of the 80’s: New Talent. New York: A.I.R. Gallery, 1984.

Ballenger, Rebecca D. Exchange of Sources: Expanding Powers. Stanislaus: California State College, 1983.

The New Explosion: Paper Art. New York: Fine Arts Museum of Long Island, 1983.

Making Paper. New York: American Craft Museum, 1982.

Transformations: Women in Art 70’s—80’s. New York: New York Coliseum, 1981.

Dialectics of Isolation: An Exhibition of Third World Women Artists of the U.S. New York: A.I.R. Gallery, 1980.

Contemporary Artists of India. New York: Alternative Center for International Arts, 1978.

Contemporary Indian Artists, exh. brochure. New York: New India House, 1978.

Appasamy, Jaya, ed. 25 Years of Indian Art: Painting, Sculpture and Graphics in the Post-independence Era. New Delhi: Lalit Kala Akademi Publications, 1972.

S. W. Hayter et l’atelier 17, exh. brochure. Charleroi, Belgium: Palais des Beaux-Arts, 1967.