Portfolio · 1993

House of Many Rooms

Four etchings move from the remembered freedom of many rooms toward touch, obstruction, and an almost impenetrable field.

The complete four-sheet House of Many Rooms portfolio installed in two rows
House of Many Rooms · complete four-sheet installationView larger image ↗︎

Date1993

MediumFour etchings and text printed in black on Arches Cover white paper with chine collé on handmade Indian paper

Image9 × 8 in.

Sheet16½ × 29½ in.

Edition25, plus two artist’s proofs

ProductionText handset by Felicia Rice and printed at Moving Parts Press; produced at Baskin Art Studios, University of California, Santa Cruz

The sequence begins with an open grid of rooms. Diagonal strokes then interrupt movement from room to room; the third sheet compresses the grid into a dense surface, and the final sheet closes into darkness. The titles and images together make enclosure accumulate across the four parts.

Here, the house is reduced to a changing structure of cells, barriers, touch, and loss. As the sequence darkens, remembered architecture becomes psychological space: rooms once crossed freely are gradually transformed into boundaries.

Archive sequence

Individual sheets

The portfolio is shown in its established order. Each titled sheet is reproduced in full so that its image, inscriptions, paper edge, and place within the four-part sequence remain visible.

Once I Lived in a House of Many Rooms, House of Many Rooms, by Zarina
01Once I Lived in a House of Many RoomsView larger image ↗︎
I Walked from Room to Room, House of Many Rooms, by Zarina
02I Walked from Room to RoomView larger image ↗︎
Touching the Walls, House of Many Rooms, by Zarina
03Touching the WallsView larger image ↗︎
Boundaries of Despair, House of Many Rooms, by Zarina
04Boundaries of DespairView larger image ↗︎